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CD Reviews: Autumn Falls, Gets Back Up – So Another Three CD Review Session For Ya’s

Y’all know what I’m saying – sometimes it’s so damn good for ya that ya just gotta go back and hit it again, heh heh. Well that’s where we are at with these reviews, popular demand and that lyrical voice calling me back for more so, clean yourselves up, grab a squat up and get ready for another round seriously good for ya CD reviews.

 

Rick Holmstrom – Cruel Sunrise
(M.C. Records)

There is a sound out there that exists between Rock, Blues, Rockabilly and Surf music, really there is. I, for one, am glad that no one to this point has given it a classification as we are want to do. What it is called is immaterial but one cat who has it down is Rick Holmstrom.

On his latest release “Cruel Sunrise” Mr. Holmstrom lays it all down on disc for our enjoyment. Starting with ‘Need To Dream’ he explores the regions of the mind that are so vital to our well being – dreams and dreaming. There is a strong rock beat that recalls early Smithereens, but with a certain pleading urgency to the lyrics that belies the seemingly simple song.

The title track follows with a reverb drenched guitar intro that turns into a funky walk-about styled song that paints an impressionistic aural vision of his vilipend attitude towards sunrises. As others may embrace them he finds that everything looks better in the moonlight. His guitar work on the other hand much deserves the light of day as it is constructed much like jagged edges that cut deep but ultimately heal themselves because of their wholeness and absolute value and worth.

Mr. Holmstrom has a long and pedigreed history in the Blues and Roots music world. Having played with William Clarke, Johnny Dyer, Rod Piazza Rick can now be found touring alongside Ms. Mavis Staples as part of her fine, fine band. Ms. Staples takes the vocal reigns on ‘Owe You Everything’ and ‘Lord Please’ – this simple act speaks volumes about how highly regarded he is amongst the elite of the Blues framily.

All songs are written by Mr. Holmstrom (12 in total) and this release has given us evidence to his growing ability as a songwriter. ‘It’s Time I Lose’ opens with a very funky intro that morphs into a fusion of styles that ultimately come out sounding like Mr. Holmstrom. Yet, it is his word play and the effectiveness of the lyrics to tell a story that stands out. As a guitar player he can stand in with the best of them, his phrasing and use of space and chord structure are far above the norm and combined with his lyrical ability to grok the given situation makes this his very best release.

To learn more about Mr. Holmstrom stop by his web page http://rickholmstrom.com/

 

Zac Harmon – Music Is Medicine
(Urban Eagle LLC)

Blues as a curative is not unknown to our framily, personally I have just gone thru, yet another experiencing of this fact. Mr. Zac Harmon is a cognoscente in this matter and has provided us with a release that not only speaks to the fact but also proves it beyond a doubt.

With ‘Blue Pill Thrill’ Mr. Harmon sets us up with an Albert King styled intro (that carries through the track) as he visits what certainly has become both the saving grace and the bane of modern couples. Aptly stated referencing the fairy tale “it’s what Jack gave Jill when they went up the hill, the Blue Pill Thrill’ all set to a sweet and funky blues beat. I can hear this playing on my 70” flat screen during the football season, actually yeh why not!

Music as a healer stands besides the eternal conflict of the artist being torn between the Devil and the Lord. Zac deals with that subject with ‘Running From The Devil’ as he weaves a chant-like chorus intermixed with tasty guitar work as the keyboards offer a solid base for him to work his funky mastery on.

Not all funk, stomp and blue pillin’, Mr. Harmon shows his ability on several softer cuts. ‘Wounded’ starts as a slow breathy duet with Ms. Sueann Carwell that ramps up into a spilling out of accusations and exposed hurts as they lead to a cathartic conclusion of passion and pain. Take note – the guitar intro on this burner must have had Jimi Hendrix channeling thru Zac, as it played much like ‘Castles Made Of Sand’ but as only could be expressed thru Zac.

As close to a title track is ‘The Healer’ which serves as the absolute truth with the great line “…music is medicine…it’s an overall cure, chicken soup for the soul’. This is played out in a sweet, funky minor key testimonial to his beliefs that he has been anointed by his Father’s hand and offers us some soul exposing guitar work to back up the claim.

‘Joanna’ has the feel of late seventies soul drenched R&B that came out of Memphis or Detroit. Horns playfully punctuating the deep fried soul of Mr. Harmon’s vocals and snappy guitar work that rides us into a wonderful piece of keyboard artistry by Mr. Corey Lacy. This closes out the disc which of twelve original and provoking tracks that address all sides of the rubix that is the heart of this release. “Music Is Medicine” will certainly prove to be the aliment not only for your ears but for that much deeper spot, deep down inside your soul.

Zac does indeed have a web site you should visit there: http://www.zacharmon.com/

 

Mississippi Heat – Delta Bound
(delmark records)

What I don’t understand is why this band isn’t more widely recognized by the public for the fine work they do. This release celebrates their 20th year of performing some of the most creative and straight ahead Blues out there.

Right off the bat we get a big ol’ helping of Ms. Inetta Visor throwing down some soulful and heartfelt vocals on ‘Granny Mae’. That alone is enuf for me, this lady’s voice is so rooted in soul it speaks volumes on it’s own, but for this track we added Giles Corey on guitar who along with regular billy Satterfield combine to push this song to it’s limits.

Since this is a anniversary release we have some great visitors to the studio. Former Heat member Ms. Deitra Farr is featured on three tracks and rocks out on ‘Look-A-Here, Baby’ accompanied by founder Pierre Lacocque blowing well versed harp and once again Mr. Sattefield working those six strings to glory. Ms. Farr throws down country blues with Pierre and early Heat member guitar virtuoso Billy Flynn on ‘What’s Happening To Me’ – time for some two-stepping and passing the flask around.

Straight ahead Chicago Blues pairs Ms. Visor with the legendary Carl Weathersby on ‘Mr. Mistreater’. This should serve as a lesson for all musicians and scholars as to what makes a shuffle a shuffle as Mr. Kenny Smith lays it down a tome while everyone else slides into place. Sweet!

Showing their depth of range and styles we get a special treat as Chubby Carrier (Ain’t No Party like a Chubby Party) hooks up with the band for ‘New Orleans Man’. Andrew ‘Blaze’ Thomas sits on the drums and Keith Blair on the guitar as the create a second line back beat all the while Chubby and Pierre work their syncopated magic together and separately to create on mean jambalaya for us all.

Often a favorite of mine are instrumentals – just cause it shows off the instrumentalists on their own. I was happily surprised when ‘Lemon Twist’ turned out to be one of those moments. A beautiful riding bass line by Mr. Joseph Veloz lays the bottom down so tight and solid that everyone else gets to ride those rails for free. Those ‘free-riders’ include Mr. Johnny Iguana on the B-3 and the aforementioned Mr. Giles Corey, working inside the shared space with him in a very neat fashion. Mr. Lacocque is certainly comfortable whether riding on the bus or conducting it, as far as his his harp playing goes. He has learned well from the studies of Big and Little Walter as well as both Sonny Boy Williamsons. He can melt and bend notes while soloing, display a deep rooted respect the silence between notes, and create a subtle background with out stepping on anyone’s toes – all within the framework of the said song.

Thank you, Mississippi Heat and delmark Records all for sharing this fine disc, I can only hope that it will capture new fans because it certainly resounds well with all of us on the bus witchas.

Please stop by their web site and get a dose of Mississippi Heat: http://www.mississippiheat.net/

 

Until next time,
Love, Peace & Chicken Grease
chefjimi
©Blues411.com 2012
photos: courtesy of artists
Where Blues Thrives

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Photo Gallery: Chesapeake Bay Blues Festival, Day 2

What a great site for a festival, right on the Maryland shore in a state park with beach front and facilities a plenty, why is this the first time we’ve attended ?

I dunno –  but we will return like the proverbial locusts (‘cept every year not seven).

These are snaps from Sunday which started with Albert Cummings getting everyone ready to roll with guitar licks and a very cool hat, then Lydia Pense & Cold Blood brought the ‘East Bay Grease’ from San Francisco out East in one of their rare appearances to this side of the Mississippi – dancing in the aisles and funk to spare.

Texas guitar slinger Michael Williams and band showed us that power trios still have a place in the blues world as he tore up the stage going ‘hendrix’ for Third Stone From The Sun – well done bro’.

Shemekia Copeland, reigning Queen of the Blues, soul-filled R&B laced set was proof of her talent and current status in the blues hierarchy. She swapped out with Philipp Fankhauser who was late getting in from Switzerland. Philipp played with Shemekia’s daddy, Johnny ‘Clyde’ Copeland for many years and will be featured in an upcoming interview  with separate photo gallery just cos.

JJ Grey & Mofro wowed the audience with a hi energy Florida stew that really impressed everyone there. Brought on stage by Tony Colter of Sirius/XM Bluesville, headliner Jonny Lang ended this weekend of great blues music with his incendiary guitar work and stage presence. Thank you Don Hooker and staff, volunteers and everyone involved for a great weekend of music and fun.

Home » Photo Gallery: Chesapeake Bay Blues Festival, Day 2 » Chesapeake Bay Blues Fest - Day 2 Sunday

Chesapeake Bay Blues Fest - Day 2 Sunday

Day 2, great venue, super bands, great variety of music - like back in the day !Featuring Jonny Lang, JJ Grey & Mofro, Shemekia Copeland, Philipp Fankhauser, Michael Williams Band, Lydia Pense & Cold Blood, and Albert Cummings.

Until next time,

Love, Peace & Chicken Grease
chefjimi
©Blues411.com 2012
photos: Leslie K. Joseph, Blues411

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That’s How We Celebrate Birthday’s Around Here !

So in celebration of being ensconced in the final chapter of the ‘The Wonder Years Version 50′ I found myself on my own for the auspicious date. Oh dear, what’s a boy to do ? It just so happened that Chicago Blues-man Nick Moss and, his band, the Flip Tops were coming to Rochester to help me with my load. I thought that was pretty cool of them. That being said I did my best to collect a posse of friends who might want to buy me lots of drinks and food and help keep this poor boy out of trouble Well, well, well did I ever work that situation out nicely! We convened at the world famous Dinosaur BBQ (where the music is always free) for some award winning ‘Que and liquid enrichment. Thus setting ourselves up for the musical entertainment portion of the night.

What a perfect choice ! Nick and the band opened up with a well constructed instrumental that was painted in broad brush strokes containing elements of jazz and a beat that had the crowd shakin’ their hips and heads to it. Now this might not sound like anything remarkable, but the audience was not your typical blues crowd. Running concurrently at the War Memorial was the ‘Jingle Jam’ a holiday event featuring such bands as Fall Out Boy and other severely non-blues acts. Yet the proximity of the Dino allowed some of the artists and fans to wander over and see what was happening. At one point early into Nick’s set drummer, Patrick Seals and bassist Matthew Wilson were putting down a deep soul R&B pocket as Nick and Michael Ledbetter were sharing vocals when the entire crowd of ‘Jingle Jammers’ were dancing and head weaving to the groove. It was at that moment I remarked that one could have had someone on stage doing Howlin’ Wolf or Muddy lyrics in a hip-hop manner and it would have been absolutely great. At the conclusion of that song the Jingle Jammers bopped their way out of the Dino waving to Nick and the band looking very satisfied that they came and stayed for a spell.

In that moment we were shown the power of music to bring people together, two diverse – but not unrelated – musical forms seeing the commonality of the music and crossing the lines that the genre Nazis create to keep us separate.

Nick then settled into a wide range of songs, working the jazz-fusion end of the spectrum with the help of some outstanding keyboard work by A. Travis Reed. Mr. Reed displayed quite the range and understanding of the Blues Piano family tree at one point as Nick would call out the names of past masters and Travis would just slide in and out of their styles.

Mr. Michael Ledbetter was given ample room to shine as the rhythm guitarist and vocalist. His voice is pure like honey from the bee, and offers a nice counter-point to Nicks’ fuller and resounding vocal style. The band seems to be a very nice fit with Nick. Their professionalism and abilities have allowed Mr. Moss to fully expand his musical explorations. There were moments when Nick settled into a grove or ventured outside the standard framework and the band were always right there to help shine the light for his re-entry into the selection. I think that in it’s current configuration the Flip Tops will bring more of the well deserved praise from fans around the world.

His style has progressed into so much more than being a guitar playing ‘Chicago blues-man’. His technique and roots are undoubtedly Chicago based, but it has gone beyond what people might consider the oft’ spoke ‘Chicago style’. This style has evolved throughout the many years since Muddy plugged in, bringing in funk, R&B influences as well as touches of Prince and a smattering of psychedelia to the table. Nick is well equipped to move the style forward as he calls upon these influences and then adds his own later of Moss to it.

To add to our delight Nick brought up Rochester’s own Blues legend, Mr. Joe Beard to do a few numbers with the band. Doing his outstanding version of ‘Gambler’s Blues’ (aka Blues Deluxe) he simply stunned the young ladies who met me there. They are not that well acquainted with the Blues – so it was all about the music and the talent and Joe Beard put it all out there for them to see and made them begin to see what is out there for the taking. Later in the second set Nick brought up Joe’s son Chris Beard. Chis is a hard rocking, guitar plowing blues-man who tore up the crowd with his ‘Mike Singletary’ facial expressions and incendiary guitar work. Man what a treat ! Ace photographer Martin Goettsch had such a  blast he went the next night to Syracuse to do it all over again.

Nick and the Flip Tops have a new release out on Blue Bella Records, titled, ‘Here I Am’. In it he pushes that evolution we spoke about both sonically and stylistically. Oh yeh, I stole some of that from none other than Jimmy Thackery did on the back cover of “Here I Am’. I bought a copy of the new disc and gave it to my young femme fatales so that they can dig deep and keep it as a reminder for the night that they truly found the Blues.

Oh by the way, the ladies (Krystina & Diana) are meeting us very soon for another national blues act at the Dino, as will Craig and Pete, so it’s looking good for the Blues!

So as far as birthdays went – it went really, really well. I made it through the night, with the help of some good friends, saw the healing power of music displayed, introduced some young adults to the Blues, and got to see one of America’s finest young blues bands out there Nick Moss and The Flip Tops. Can’t beat that with a stick, as we used to say in the projects !

Visit Nick at his web site: http://www.nickmoss.com/

Until next time,
Love, Peace & Chicken Grease
chefjimi
©Blues411.com 2011
photos: Martin Goettsch, Blue Bella

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